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 | Sant'Oronzo Square, Lecce
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Saturday, 25 October
Today, we leave at 9 am to take a full-day coach excursion of the Salentine Peninsula.
Harbourtown of Otranto
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Otranto
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Castello Aragonese
The earliest fortifications on this castle's site are likely to date back to the Roman era. The site is strategically positioned to guard the harbour of Otranto, a crucial link between the East and West.
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Castello Aragonese
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Following the fall of the Roman Empire, Otranto, like much of Southern Italy, came under Byzantine rule. The Byzantines, recognising the city's strategic importance, further strengthened the existing fortifications, laying the groundwork for the castle that stands today. These early defences consisted of simple walls and towers, forming the nucleus of the later, more elaborate structure.
In the 11th century, the Normans conquered Southern Italy, wresting control from the Byzantines. Under Norman rule, Otranto experienced a period of growth and prosperity, becoming a significant port for trade and cultural exchange. Known for their military prowess and architectural achievements, they undertook substantial expansions of the existing Byzantine fortifications, adding a moat, rampart, and cylindrical towers, characteristic of Norman military architecture.
This significantly enhanced the castle’s defensive capabilities, transforming it into a formidable stronghold.
In 1480, the Ottoman Empire, at the height of its power, launched a massive invasion of Otranto. The city, and the Castello, despite its fortifications, was ill-prepared for the scale of the Ottoman assault. The Ottomans captured Otranto in one of the most brutal episodes in the city’s history.
After the Ottoman conquest, Otranto remained under Ottoman rule for a year before being recaptured by Aragonese forces in 1481. The recapture of Otranto marked the beginning of a new chapter for the city and its castle. The Aragonese, recognising the importance of securing Otranto against future threats, undertook a major reconstruction of the castle.
The medieval structure was reinforced and adapted to the evolving nature of warfare, incorporating features like angled bastions and artillery platforms designed to withstand cannon fire. These additions, while serving a practical military purpose, also significantly altered the castle’s appearance, giving it the distinctive profile we see today.
Over the following centuries, the Castello Aragonese continued to play a vital role in the defence of Otranto, witnessing periods of peace and conflict.
Today, the Castello Aragonese, has been transformed into a cultural hub, hosting exhibitions, events, and offering visitors a glimpse into its captivating past.
Cattedrale di Otranto
The cathedral is built on the remains of a Mesapian
village, a Roman domus and an early Christian temple. It was founded in 1068 by
the Norman bishop William. Like Castello Aragonese and other structures we were to visit, it is a synthesis of different architectural styles,
including Byzantine, early Christian, and Romanesque elements. It was consecrated on 1 August 1088, during the papacy of
Urban II.
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| The Tree of Life floor mosaic |
The floor mosaic was made between 1163 and 1165. Composed of approximately 600,000 limestone tesserae, it covers nearly the entire floor of the Cathedral. .HEIC)
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The mosaic depicts the branches of Good and Evil; according to most scholars, it is often interpreted as the tree of life. Around the tree, a multitude of scenes are depicted. They are taken from the Old Testament and other sources.
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The abundance of elements represented, which include numerous symbols from different cultures, is further evidence that Otranto's geographical position has favoured exchanges and encounters between cultures and peoples, between the West and the East.
On 11 August 1480, a terrible carnage occurred when the Turks conquered the city, exterminating the 800 civilians and the clergy, who had taken refuge. It was transformed into a stable and then into a mosque.
All frescos, except those depicting the Madonna, dating back to the 13th C, were destroyed.

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| another staircase |
In 1481, after the liberation of Otranto by the troops of
Alfonso, Duke of Calabria, it was remodelled and the façade built.
Between 1680 and 1690, the bishop Francesco Maria De Aste
had the cathedral completely decorated in Baroque style. Further interventions were carried out between the 18th
and 19th centuries and the 1920s.
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| Otranto harbour |
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streets of Otranto
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We say goodbye to Otranto.
Galatina
Santa Caterina D'Alessandria
One of the most notable Gothic monuments in Puglia is Santa Caterina D'Alessandria in the historic centre of Galatina.
The building was constructed on a pre-existing Byzantine church of Greek rite dating back to the 9th-10th C, traces of which are visible on the external wall of the right nave into which the apse was incorporated.
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| Cloister of Santa Caterina D'Alessandria |
The entire interior is covered in amazing, colourful frescos. Walls, pillars, arches and vaults are decorated with wall paintings commissioned during the first half of the 15th C.
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mean or friendly?
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Sunday, 26 October
Today we depart at 9 am by coach to Matera via Brindisi and Taranto.
Brindisi
The city has historically played an essential role in trade and culture due to its strategic position on the Italian Peninsula and its natural port on the Adriatic Sea. It is still a major port for trade with the Balkan Peninsula, Greece and the Middle East. Local industries include agriculture, chemical works, and electricity generation.
Interesting snippet: from September 1943 to February 1944, Brindisi was the provisional seat of the Kingdom of Italy, making it one of five capitals in Italy's history.
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| Brindisi |
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Brindisi
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Taranto
Doric columns from the Temple of Poseidon
From its origins as a Spartan colony in Magna Graecia (historical Greek-speaking area of Southern Italy) to a powerful maritime republic and later a seat of princely and imperial power, Taranto has also been shaped by diverse civilisations, including Greeks, Romans, Byzantines, Normans, and the Bourbons.
National Archaeological Museum
An amazingly stunning collection of Apulian Greek-Roman precious artifacts is housed in this museum. Rooms are dedicated to marble sculptures, mosaics, and epigraphs dating back to the Hellenistic age.
Pottery features pink and black clay vases with characters and scenes from mythology and athletics.
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| stone head from the Roman period |
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| late 4th C BCE |
female (lt), group with Eros and Psyche (rt), couple on a kline (bed) (ctr)
 vase of female late 4th C BCE |
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| Roman pottery, 3rd-2nd C BCE |
The highlight is the Ori of Taranto (golds of Taranto) room, which holds a fantastic collection of objects of extraordinary craftsmanship from Greece.
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| boat-shaped earring |
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| moulded gold leaf oak leaves, 4th-2nd BCE |
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| stunningly worked |
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courtyard of the museum
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Matera - UNESCO World Heritage siteWe arrived in Matera, for me, a place whose incredible landscape oozes an air of eternity out of its stones.
Matera has a continuous occupation dating back to prehistory (8000 BCE), making it the third-oldest city in Europe. It is renowned for its rock-cut urban core, whose twin cliffside zones are known as the Sassi. It lies on the right bank of the Gravina river, whose canyon forms a geological boundary between the hill country of Basilicata (historic Lucania) to the southwest and the Murgia plateau of Apulia to the northeast.
We entered Sextantio Grotto, our home for the next few days.
Our cave dwelling for the next few days, Freddi and Wilma Flintstone, eat your heart out...
romantic candle light
Bathroom with all the comforts, including a cave bidet ...
...no, there's a proper one

our courtyard
Monday, 27 October
Morning rise
We met our local guide and commenced a walking tour of the Sassi of Matera.
The city began as a complex of cave habitations excavated in the softer limestone on the gorge's western Lucanian face. It took advantage of two streams that flow into the ravine, reducing the cliff's angle of descent and leaving a narrow, defensible promontory between the streams.
The central high ground, or acropolis, supporting the city's cathedral and administrative buildings, came to be known as Civity, while the settlement districts, scaling down and burrowing into the sheer rock faces, became known as the Sassi.
Sculpture of a tree by Italian artist Andrea Roggi
narrow promontory between the stream
frescos in one of Matera's cave churches
Matera street scenes
street art
courtyard à la Matera
This ancient Casa Grotta shows the living arrangements of a typical Matera peasant family until the 1960s, when these caves were abandoned. Some, such as ours, were recently converted into luxury abodes.
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| how small can you go? |
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| staircase |
Tuesday, 28 October
We leave the magical Matera for Trani via Alberobello.
Arrivederci Matera ...
Alberobello
Alberobello is famous for its unique trulli, which have been designated a UNESCO World Heritage Site since 1996.
The first occupation of the area started only in the 16th century, at the initiative of the regional Count. He allowed about 40 peasant families to settle and cultivate the land, with an obligation to give him a tenth of their crops.
In 1635, his successor began the urbanisation of the forest by building a few small houses. The expansion of the urban area was helped, first, by the abundance of calcareous limestone from the surrounding karst landscape, and second, by the Count's requirement to build houses only with dry stone walls, without mortar, which would give rise to the peculiar trulli.
This obligation to have houses built only of drystone with a removable keystone in the middle was an expedient of the Count to avoid paying taxes to the Spanish Viceroy of the Kingdom of Naples. When the tax inspectors arrived, the farmers pulled out the keystones, causing the building to collapse, thus avoiding paying tax.